Slip sliding away in the Cairngorms with Billy and my (almost) new Nikon D800

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It was a fabulous day, cold, but fabulous.

Getting to Aviemore wasn’t the level of difficulty I was expecting. The roads were well gritted and quite fine to drive on at a decent speed, even in the darker and colder spots. The problem was that not everyone seemed to realise this, and so I spent the whole the journey in a convoy of trucks doing no more than 40mph. It was almost as bad on the way home.

The side roads, and the minor roads, were still covered in snow and underneath was a lethal layer of ice, but if you kept to those that were gritted and most well used it was easy to travel. Getting on and off of the car parks was a bit more interesting, but the main road in and out of Aviemore from the North was fine. There was no point in rushing though as there was no way to overtake the convoy.

I got there around 11am, desperate for tea and a pee, to be stung for £4.80 for a cup of Earl Grey and a small piece of cake, and that’s on top of £1 to park the car to eat it.

I moved on from Glenmore Forest Visitors Centre, the culprits of this high charged refreshments, and then parked on the verge, thankfully knowing where the parking spots are under the snow and ice and where it was safest to do so. One pound for an hour parking? It’s as bad as parking in the city.

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There were a few people out, and everyone of them seemed to be carrying a tripod. I had hardly had an original idea.

I got to work quickly because although the light was just what I wanted I knew it would be disappearing all too soon.

As we approach the Winter Solstice the working day for photography in the Highlands and North East of Scotland is really quite short. It has its advantages because you don’t need to get up at some ungodly hour to catch the sunrise, or the best of the light. The sun is never that high in the sky to remove all the shadow and spoilt the points of interest, and being weak it is often a warm light. Unlike your feet and hands if you stand too still for too long.

The ducks on Loch Morlich are a wise and talkative bunch; no sooner had a photographer appeared and the host flew over to demand feeding. Disappointed. they would then return to the unfrozen shallows in the sheltered part of the loch and await their next hope.

Loch Morlich overlooks the Northern Corries of Cairngorm, including the ski-centre, and the snow was majestic. The sunlight on it was lighting up the slopes and defining the shapes in the faces of the mountains, which the darkness of the rock usually obscures. Given the light, I shot with a view to capturing the scene in colour but when I got home I realised it would look good in mono’.  The advantage of shooting Raw is that you retain this choice, and I have processed images as both.

At the moment it is taking me quite a bit longer to process my images, as I struggle to get to grips with Affinity Photos after the simplicity of Lightroom. I miss being able to get a light-box display of all the images in the folder and then easily moving from one to another. In Affinity Photo I have to individually open each file into Develop, then from the processed Raw move into the main image processing space. At least Adobe make Bridge free now and this enables me to see large enough previews of the image to determine the keepers. I hope that Affinity will come up with something like Lightroom as their Photo app is more akin with Photoshop itself, but with additions normally associated with Lightroom.

I was really happy with the 3 Legged Thing Punks Billy, which is easy to operate even with winter gloves on. I use Sealskinz gloves, which I find warm enough without being bulky. Although having leather palms they aren’t perhaps the most environmentally friendly, they do grip well even in the cold and wet.

This outing was the first since I replaced my Nikon D600 with the D800. I had had some issues with oil and dust which meant I had spent a lot more time retouching dust spots from images than I would have liked. I returned my D600 under it’s used warranty and replaced it with an almost mint Nikon D800.

The D800, purchased used from Ffordes, was great. Having the larger pixel count meant that I was able to then crop images much more radically than before.

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Even using just half the original image frame, I still had an final image with sufficient information, and pixel resolution, to print to a decent size. The image above was shot in portrait and cropped pretty much across the middle, leaving this the top half. I initially thought I wanted the grass in the foreground but decided against it, and I didn’t take a lens long enough to capture just the area of the frozen loch that I envisaged in the final image.

I was also amazed by the level of detail and the way the ice crystals sparkle towards the top of the frame. I am also impressed with the lack of noice even at high resolution. Earlier this week I had been out as the sun dropped and captured an image using ISO3200 which I would never have thought of as more than a record shot before. It is perfectly useable and appears on my Instagram and Twitter feeds as well as my Facebook page, but I think I could probably get away with printing it to A4 at least if not A3.

As can be expected at this time of year in the mountains the light faded quickly, and my idea to go to more than one location was written off. The sun rapidly sank behind the hills and the (photographic) day was pretty much over.

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One last shot and it was time to head home and in another long, slow, crawl behind more lorries and nervous car drivers.

I understand that it snowed later that evening, and the temperatures plummeted further below freezing. It had not got above -4C all day, but this is nothing compared to the winters past where temperatures like this would last for weeks on end.

It is quite funny that many of Scotlands ski centres have just taken delivery of snow making machines that they are struggling to get into position, because of the snow…

The last time we had a white Christmas, and a long period of snow, was the winter of 2009/10, one which holds some very precious (and highly entertaining) memories for me. Perhaps this year will see a repeat of those conditions?

But this time I hope I don’t get snowed out for three whole weeks!!

 

 

 

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Goodbye Adobe (updated)

Well I did it. I cancelled my Adobe Photographer’s package subscription at the point of renewal. As I mentioned in a previous post, I am not happy to work from the cloud because it simply isn’t practical in the Highlands of Scotland where we struggle to get a mobile signal let alone wifi.

I have not been a fan of the subscription model, and being tied into a monthly contract for 12 months, ever since it was launched. Whilst I do appreciate it spreads the cost, you are then tied to it. I also resented being tied to Photoshop when I only need Lightroom, which was always the much cheaper free standing package.

So, what will I be using? Affinity Photo.

I have this on my iPad Pro and it’s superb. It almost makes me want a bigger iPad, as in one with more storage, so that I can use the pencil features. The desktop version I will have to get used to, and after over 25 years with Adobe it will be a big shift.

I might regret it, or it might be liberating. If I regret it then I can always take a new subscription with Adobe in due course, but at least I would do so knowing that I had given it a go without.

Update 17/12/18

I have to say that after a couple of days processing two shoots (from Raw) with Affinity it is a good replacement for Photoshop but it doesn’t replace Lightroom. It is very difficult to accurately assess images without opening each one individually as it has no catalogue feature. I have downloaded Adobe Bridge, which is free, but it feels like too much of a compromise and increase in workflow.

I also find Affinity is very power hungry on the computing front and this means I have to wait for transitions to take place more than I did with Lightroom.

It has slowed my workflow down, and sometimes I am not noticing things until well into the edit which I would have seen immediately and corrected (like minor lens distortions). It probably doesn’t help that I have just moved to the D800 and am dealing with bigger files with more definition.

I have now downloaded a trial of On1 Photo Raw 2018 for 30 days to see if this is better suited. I still like Affinity on the iPad Pro, and I can see uses for it, but more for Photoshop than Lightroom type edits. I, as an ‘right in-camera’ type shooter that doesn’t use special effects, don’t really use Photoshop that much, it was Lightroom that I used most so I feel there is more work to be done.

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Processed from raw with Affinity Photo
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Processed from raw with On1 Photo Raw 2018